Archive | May, 2019

New tools-Dried Indigo

27 May

I’ve shared photos of my Japanese Indigo leaf harvest before so some of this is repeat for some readers. For other readers this is worth repeating. My Japanese Indigo crop sprouted in February, way early for the Texas Hill Country. Sprouts came from discarded seeds and root stock left on the ground last season. This bonus crop is now in the way of planting new seedlings. So time to try new harvesting tools and drying methods with this bonus crop. I can tell by it’s height and leaf size as it goes to seed it is not as vigorous as new annuals. So it needs to clear the way for this year’s seedlings.

I have electric clippers that I use in garden trimming (arthritis slows me down). Will they work faster than scissors? Caution….

The clippers worked well. I tried drying the leaves in the same set up I have for a different Indigo but I went back to my bundle and hang method. Why? The May winds blow over my temporary setup. For now, I’ve secured it to a gate. There is no wind to contend with in August and September when I usually harvest. Remember….bonus crop due to the Texas rains last fall & late winter temperatures.

A couple of days will render these bundles to a dry level that will enable me to easily strip off the leaves of the stems. But one always looks for alternatives in one’s circumstances and environment.

Don’t tell my husband…

9 May

Comparing window screens on hand to the traditional Japanese Leno gauze for paste resist. Of course, the traditional gauze works flawlessly…

The component is thin and really open at 18 squares across an inch.

The spare aluminum screen worked but left large screen lines. The redeeming factor was the large working area for several commercial stencils to be laid down.

It came in at 18 squares across the inch but the component used to weave the screen is thick and leaves its mark in the paste resist.

My Pella window screen won the commercial screen test.

It came in at about 17 squares per inch with slightly thinner component. One must remember to spray well to soften the paste resists so it settles into place on the textile after you lift the screen.

The final test is the indigo bath…more to report.

Work Before the Dye Pot

3 May

“When Life Spirals Out of Control” series

You carve & create the stencils

You create the paste resist from bran & sweet rice flour & steam it. That was yesterday’s project.

You prep the fabric, should have done this while paste was steaming.

You lay the paste down, carefully & slowly.

And go on to the next piece….notice I am not to the dye stuff yet. That was grown, harvested & dried last year.

Will allow to dry overnight, then on to dye pot.

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